Willi baumeister biography
Willi Baumaister
German abstract artist and art theorist. Date of Birth: Country: Germany |
Content:
- Biography of Willi Baumeister
- Early Life and Education
- Abstract-Geometric Style
- s: Archaic Abstractions
- s and Beyond: Late Works
- Willi Baumeister passed away in Stuttgart in at the age of
Biography of Willi Baumeister
Willi Baumeister was a German abstract artist and art theorist.
He was one of the most significant German abstract artists, known for his development of a non-objective geometric style and later transitioning to a style characterized by the use of hieroglyphic symbols in the s.
Early Life and Education
Born in Stuttgart, Germany, Baumeister came from a family of craftsmen.
In , he began his training as a decorative artist while attending evening courses at the State Academy of Art in Stuttgart.
Willi baumeister gouache Date of Birth: From Exhibitions in Germany and abroad. Visits the Bauhaus in Weimar. It was here that he created his "Frescoes"After completing his studies in , Baumeister joined an art studio where his teacher, Adolf Helzel, offered him and his classmates, Oscar Schlemmer and Herman Stenner, their first commissioned work - painting the walls of the German Workers' Union exhibition hall.
Abstract-Geometric Style
Following the end of World War I, Baumeister returned to his hometown of Stuttgart.
It was here that he created his "Frescoes" (). These works combined architecture and painting in a constructivist composition of planes with harmonious forms. Baumeister mixed paints, sand, and putty to achieve a relief effect, applying the boards directly onto the walls.
Willi baumeister biography death In , Baumeister also started writing a manuscript in which he summed up his theoretical thinking. Baumeister mixed paints, sand, and putty to achieve a relief effect, applying the boards directly onto the walls. Aga Mirek. Select the categories for your notifications.Each of his works during this period represented a continuous development of his previous ideas.
s: Archaic Abstractions
In the early s, Baumeister abandoned figurative elements in favor of abstract forms in his paintings. His involvement in the group "Abstraction-Creation" confirmed his inclination towards non-representational art.
With the rise of the Nazi regime in , Baumeister was dismissed from his teaching position and returned to Stuttgart, where he worked as a typographer to make a living. Despite his works being labeled as "degenerate art" by the Nazis, Baumeister had the opportunity to exhibit his paintings abroad.
During the s, Baumeister's style still bore the influence of archaic imagery, which he later distanced himself from as primitive art.
Willi baumeister biography Solo exhibitions in Stuttgart and Paris. He was initially hired as a lecturer for the field of commercial graphics, typography, and fabric printing. First exhibition in Stuttgart. Begins work with the Wuppertal varnish factory, Dr.This is evident in his series "Ideograms" (/38), where the spirit of hieroglyphic symbols and Asian calligraphy can be felt. His subsequent series, "Eidocartoons" (), featured organic and fluid forms.
s and Beyond: Late Works
In , Baumeister was prohibited from exhibiting his works, and he had to rely on financial support from a patron.
He later found employment at a paint factory where experiments with various painting and drawing techniques took place. From onwards, he created relief works such as the "African Paintings." In early , Baumeister published "On the Unknown in Art," in which he formulated his theoretical reflections on art.
Willi baumeister biography wikipedia Frankfurt Years: to Although Baumeister was stripped of his professorship in Frankfurt when the Nazis came to power in , and had an exhibition ban imposed on him in , he still continued to develop his artistic approaches to composition. Birth of daughter Felicitas. After completing his studies in , Baumeister joined an art studio where his teacher, Adolf Helzel, offered him and his classmates, Oscar Schlemmer and Herman Stenner, their first commissioned work - painting the walls of the German Workers' Union exhibition hall.This work became a programmatic document for abstractionism in
In , Baumeister became a professor at the Stuttgart Academy of Art. In his later works, he explored mythological subjects, such as "Atlas" (), and offered his own interpretation of the epic "Gilgamesh." He then delved into creating "Metaphysical Landscapes," where joyful forms and colors were replaced by dark gray figures or hieroglyphics, hiding a mysterious essence that the observer could not fully comprehend.
His last major series of paintings, created from to , included "Montaru," "Monturi," "Aru," and "Khan I," with forms resembling paths carved into rocks. The dominant black color was accentuated by small spots along the edges of the canvas.