Karina smigla-bobinski biography

Karina Smigla-Bobinski

Karina Smigla-Bobinski () is a German-Polish intermedia artist, working primarily in new media art and digital art, based in Berlin and work bridges kinetic art, drawing, video, installation, painting, performance and sculpture. Her works have been exhibited in Europe, Asia, North America and South America.

One of her major works is ADA, a large, interactive kinetic sculpture and drawing machine.[1]

Life and education

Smigla-Bobinski studied art and visual communication at the Academy of Fine Arts in Kraków, Poland and the Academy of Fine Arts, Munich, Germany and graduated as a master student of Gerhard Berger in [2][3]

Career

Smigla-Bobinski's work has been shown in galleries and museums including Grande halle de la Villette Museum Paris;[4] and the Nottingham Castle Museum and Art Gallery[5] where her work was exhibited in correlation with Leonardo da Vinci: 10 Drawings from the Royal Collection.

One of her major works is ADA – analog interactive installation, a large kinetic sculpture and drawing machine.[6][7][8][9] Her interactive installation Simulacra engages viewers to discover hidden images displayed on video screens by using magnifying glasses.[10]

Her work has been written about in The Atlantic,[11]Wired,[12]TANZ Magazine, Imperica, Le Journal de Québec,[13]Business Insider,The Vancouver Sun,[15]e-flux, and Calgary Herald.

In she was a visiting research fellow and artist in residence at ZiF Center for Interdisciplinary Research, Bielefeld, the Bielefeld University’s Institute for Advanced Study, a cultural institution that supports collaborations and dialogue between the arts and sciences.[16][17]

Literature

  • "OVERS!ZE - The Mega Art & Installations“.

    Victionary (May ), pages, ISBN&#;

  • "highlike book“, FILE and SESI (October ), pages ISBN&#;
  • "T.R.I.B.E.

  • Karina smigla-bobinski biography married
  • Karina smigla-bobinski biography husband
  • Karina smigla-bobinski biography net worth

    • – Exercises in Transitory Art (MoTA Editions # 2)", MoTA (March )

  • "Tanz Magazine“ - Der Theaterverlag – Friedrich Berlin GmbH (Januar ) "ADA"..
  • "Baumgartens Erfindung der Ästehtik“, Ursula Franke, Reihe „KunstPhilosophie“, Mentis Verlag () ISBN&#;
  • "New Media Installation: Technology in Art", Gingko Press () ISBN&#;XISBN&#;
  • "The New York Times“ (Januar ) Schwendener, Martha (2 January ).

    "Pittsburgh Report: Five Places for Healing Through Art". The New York Times..

Exhibitions

Her works have been shown at museums galleries and festivals, including:

  • Bangkok University Gallery in Bangkok, Thailand
  • Künstlerinnen und Künstler (BBK Gallery) in Munich, Germany[18]
  • Busan Biennale in Busan, Korea
  • Centre for Fine Arts (Bozar) in Brussels, Belgium
  • CURRENTS New Media Festival, [19][20]
  • Electronic Language International Festival (FILE) in São Paulo and Rio de Janeiro, Brazil[8][9][21][22]
  • Foundation for Art and Creative Technology (FACT) in Liverpool, England[23][24][25]
  • Garage Museum of Contemporary Art in Moscow, Russia
  • Grande halle de la Villette in Paris, France
  • The Lowry in Manchester, England
  • Maison des Arts de Créteil in Paris, France
  • Mattress Factory in Pittsburgh, USA[26]
  • Microwave International New Media Arts Festival in Hong Kong, China
  • The Mois Multi festival, Quebec[27]
  • Museum of Transitory Art (MoTA) in Ljubljana, Slovenia[28][29]
  • New Media Gallery in New Westminster, BC, Canada[30]
  • Nottingham Castle Museum & Art Gallery in Nottingham, England[31]
  • Olympiapark in Munich, Germany
  • Patricia and Phillip Frost Museum of Science in Miami, USA
  • Science Gallery in Dublin, Ireland
  • Singapore Art Museum in Singapore
  • Staatstheater am Gärtnerplatz in Munich, Germany
  • Suwon IPARK in Korea
  • WRO Media Art Biennale in Wroclaw, Poland[32]
  • ZERO1 Biennial in Silicon Valley, USA[33]

References

  1. ^"Karina Smilla-Bobinski".

    FILE: Electronic Language International Festival. FILE. Retrieved 15 February

  2. ^"Karina Smigla-Bobinski – "I am talking about a complex world."". . Retrieved
  3. ^"FORSCHUNG im Medium des bewegten Bildes - mit Karina Smigla-Bobinski und Eberhard Ortland (ZiF, Uni Bielefeld)".

    Film University Babelsberg KONRAD WOLF. Retrieved 8 February

  4. ^"% EXPO&#;: Karina Smigla-Bobinski". Grande Halle La Villette. Retrieved 11 February
  5. ^"ADA by Karina Smigla-Bobinski". Nottingham Castle Museum and Ar Gallery. Retrieved 11 February
  6. ^Leclerc, Yves.

    "Être et faire ensemble". Le Journal de Québec. Retrieved 8 February

  7. ^"ADA Kinetic Sculpture at The Lowry". URDESIGN.

  8. Karina Smigla-Bobinski - highlike
  9. Carousel
  10. Karina Smigla-Bobinski - Exploratorium
  11. SIMULACRA - Karina Smigla-Bobinski

    12. 12 August Retrieved 8 February

  12. ^ abBaldegg, Kasia Cieplak-Mayr von. "Analogue Is the New Digital in 'ADA,' and Interactive Installation". The Atlantic. Retrieved
  13. ^ ab"Artist's charcoal-studded helium balloon creates mysterious wall drawings (Wired UK)".

    Archived from the original on Retrieved : CS1 maint: bot: original URL status unknown (link)

  14. ^"Simulacra by Karina Smigla-Bobinski, the elusive ghostly video". . 27 June Retrieved 8 February
  15. ^Cieplak-Mayr von Baldegg, Kasia (August 22, ). "Analogue Is the New Digital in 'ADA,' and Interactive Installation".

    The Atlantic. Retrieved 11 February

  16. ^Solon, Olivia (July 27, ). "Artist's charcoal-studded helium balloon creates mysterious wall drawings". WIRED UK. Archived from the original on 19 January Retrieved 11 February : CS1 maint: bot: original URL status unknown (link)
  17. ^Leclerc, Yves (January 11, ).

    "Être et faire ensemble".

    Karina smigla-bobinski biography death La Castillo in Spain or Lascaux in France. Actually, both disciplines ask the same questions, they just have different perspectives on them. The title of the installation refers to the materialisation of the past through the light-sensitive substances used in photography. In she created ADA, a writing machine in a white room consisting of a spherical outer skin filled with helium with pieces of charcoal on the outside.

    Le Journal de Québec. Retrieved 11 February

  18. ^Griffin, Kevin (June 19, ). "Balloons become more than lightweights at the New Media Centre". Vancouver Sun. Retrieved 11 February
  19. ^"Karina Smigla-Bobinski". ADA. Archive of Digital Art (formerly Database of Virtual Art). Retrieved 11 February
  20. ^"Künstlergespräch mit Karina Smigla-Bobinski".

    ZiF Zentrum fur Interdisziplinäre Forschung. Bielefeld University.

    Karina smigla-bobinski biography married: What is your favorite art work? I feel really touched by that. Karina: Yes, our communication with the world happens on so many layers. We see ADA in different states pumped up and buoyant — ready to bounce against clean walls — and tired, deflated after several weeks of ab-use from over enthusiastic kids.

    Retrieved 11 February

  21. ^Brink, Nick (12 August ). "morning star kinetic sculpture by Karina Smigla-Bobinski". DesignBoom. Retrieved 8 February
  22. ^"SIMULACRA Interactive New Media Installation". CURRENTS Festival of New Media. 4 March Retrieved 11 February
  23. ^"German Missions in the United States - Karina Smigla-Bobinski".

    . Retrieved

  24. ^Debatty, Régine (). "ADA – analog interactive installation". We Make Money Not Art.

    Karina smigla-bobinski biography images El arte en la edad del silicio. The dancers clapped their hands and feet on the scribbled walls and took a layer of coal dust away by that. I am looking forward to seeing where the imagination of the collaborators will take us with ADA next. She brings the Iranian world onto the stage with her stills and film sequences of family members of the dancers, urban panoramas of Teheran and lines in Persian writing.

    Retrieved

  25. ^"File São Paulo Exhibition Catalog". File. Retrieved 8 February
  26. ^"Introducing Karina Smigla-Bobinski". . Retrieved
  27. ^"Karina Smigla-Bobinski - ADA". . Retrieved
  28. ^varios, EDICIONES EL PAIS, S.L.,Roberta Bosco y Stefano Caldana.

    "Robots y hombres electrónicos". El arte en la edad del silicio. Retrieved : CS1 maint: multiple names: authors list (link)

  29. ^Lynn, Hannah (26 September ). "Mattress Factory opens new Artist in Residence series". Pittsburgh City Paper. Retrieved 29 December
  30. ^"Exhitibion: ADA by Karina Smigla-Bobinski at Mois Multi Festival - Goethe-Institut Kanada".

    . Retrieved

  31. ^"Karina Smigla-Bobinski".

    Karina smigla-bobinski biography wikipedia What is more, why was this work one of the most popular artworks of all the technologically future-gazing works exhibited at FACT in Liverpool? Although the artist sets the stage and is a key player in the initial trajectory of the process, providing ideas, discovering thoughts and their connections, she views the spectators not only as recipients but active co-creators which alter her work. Constellations 3, no. She recognises the great potential of an active audience and thus designs the places where she works into collective spaces for active and creative participants.

    MoTA. Retrieved

  32. ^"T.R.I.B.E. – Exercises in Transitory Art (MoTA Editions # 2)". MoTA. Retrieved
  33. ^Veronica Pacini-Ketchabaw; Sylvia Kind; Laurie L. M. Kocher (19 August ). Encounters With Materials in Early Childhood Education. Taylor & Francis.

    Karina smigla-bobinski biography March 15, Art enters into a dialogue with people and meanwhile they can fight against each other or in turn build on each other, support, or influence one another, quote from each other… but never ever wants to be your favorite one! I leave the artwork in an open state and invite the visitors to become a creative part of my installation and to fulfill the artwork. IH: Do you still have the tapes?

    p.&#; ISBN&#;.

  34. ^"ADA by Karina Smigla-Bobinski | Nottingham Castle". . Retrieved
  35. ^"SIMULACRA". WRO TEST EXPOSURE. Retrieved
  36. ^" ZERO1 Biennial". . Retrieved

External links